Performances of Capitalism, Crises and Resistance. Inside/Outside Europe. Marilena Zaroulia and Philip Hager (eds). Palgrave Macmillan, 2015
‘"Sharing the Moment": Europe, Affect and Utopian Performatives in the Eurovision Song Contest’ in Performing the ‘New’ Europe: Identities, Feelings, and Politics in the Eurovision Song Contest. Karen Fricker & Milija Gluhovic (eds), Basingstoke: Palgrave, 2013.
'Europhile or Eurosceptic? Gaps in the Narrative and Performances of Panic' (co-written with Philip Hager) in Remapping Crisis: A Guide to Athens. Ally Walsh & Myrto Tsilimpounidi (eds), Zero Books, 2013.
‘"Geographies of the Imagination" in David Greig’s Theatre: Mobility, Globalization and European Identities’ in The Theatre of David Greig (Critical Companion). C. Wallace (ed.) London: Methuen, 2013.
'"Members of a Chorus of a Certain Tragedy": Euripides Orestes, National Theatre of Greece’ in Theatre and National Identity: Re-imagining Conceptions of the Nation. Nadine Holdsworth (ed.) London & New York: Routledge, 2013.
‘”What is missing is my place in the world”: The Utopian Dramaturgy of David Greig’ in COSMOTOPIA: Transnational Identities in David Greig’s theatre. Anja Muller & Clare Wallace (eds) Prague: Litteraria Pragensia, 2011. pp. 32-49.
'Staging Hamlet after the in-yer-face moment' Contemporary Theatre Review Backpages 20.4 (2010): pp. 501-4.