‘Integration and Intertextuality: The provocation of Into the Hoods.’ The Role of the Choreographer in the Stage and Screen Musical Society for Dance Research/DANSOX. St Hilda’s College, Oxford University. 28th November 2015.
‘Title of Keynote’ Song, Stage and Screen XI. City University New York, 27th June 2016.
Humanity, Community and Excess: 'Feel the flow' in musical theatre performance. University of Winchester, 29 April 2013.
Presentations at Conferences/Symposia
‘Exploring the functions of music at the Royal Shakespeare Company’ Presenting the Theatrical Past IFTR, Stockholm University. 13-17th June 2016.
'Macbeth to Matilda: Musical collaborations at the Royal Shakespeare Company.' Theatre and Stratification, IFTR World Congress, Warwick University, 28 July – 1 Aug 2014.
'Macbeth to Matilda: Musical collaborations at the Royal Shakespeare Company.' The Art of Collaboration in Musical Theatre, Song, Stage and Screen IX, Sheridan College, Toronto Canada, 24 - 26 June 2014.
'Innovation and Tradition in Musical Theatre Singing' Tradition, Innovation, Community IFTR Annual Conference Osaka, August 7 – 12, 2011.
'Innovation through creative collaboration: Fingerprint by The Shout' Song, Stage and Screen VI, University of Missouri, Kansas City, 20 – 23 June, 2011.
'The We Will Rock You Factor: Cognitive responses to the performance of well-known songs' presented to the Musical Theatre working group at Cultures of Modernity IFTR Annual Conference Munich 26 – 31 July, 2010.
'Liveness in Musical Theatre' presented to Popular Entertainment Working Group at Silent Voices, Hidden Lives IFTR Annual Conference Lisbon 13 – 18 July 2009
'Hybrid Voices of Music Theatre: Deep Blue, Bombay Dreams and London Road' Performance Culture Industry PSI Annual Conference Leeds, 27 June – 1 July 2012
'Singing and Dancing Ourselves: The politics of the ensemble in A Chorus Line' Song Stage and Screen 7: Groningen 2 – 5 July 2012.
'Using theory and practice in the creation of original work' 'Putiing it Together': Teaching musical Theatre in UK Higher Education Palatine Conference, Bath Spa University 27 – 28 March 2009
'Exploring identities in a hybrid music theatre performance: Fingerprint by The Shout' Music on Stage Rose Bruford College 18 – 19 October 2008
'A British Tar is a Soaring Soul' Music and the Melodramatic Aesthetic Nottingham University 5 – 7 September 2008
'Exploring identities in a hybrid music theatre performance: Fingerprint by The Shout' Re-constructing Asian-ness(es) in the Global Age Seoul 14 – 19 July 2008
'A British Tar is a Soaring Soul' West End Musical Theatre 1880-1930 Goldsmiths College 10 – 11 April 2008
'Illusions of Realism in the Musical' Song, Stage, Screen II Leeds University 23 – 25 March 2007
'Money Matters: Economic Issues in Contemporary Pantomime' Victorian Pantomime Warwick University March 17th 2007
'Exploring evaluative, empathetic and representation responses to the sound world of The Rocky Horror Show' at Song, Stage and Screen, Portsmouth University, May 2006
'Integration and Distance in the works of Stephen Sondheim' Sondheim conference, Goldsmith's College, University of London, Nov 2005
'Exploring the Grain: The sound of the voice in performance' International Conference on Arts and Humanities Hawaii Jan 2005
'What's Behind Them? Distance and Reflexivity in British Pantomime' International Conference on Arts and Humanities Hawaii Jan 2005
'Musicality and Verbal Excess in Pantomime Comedy' Laughing Matters Portsmouth April 2005
'Exploring the hierarchies in contemporary music theatre works: The Overcoat by the Clod Ensemble' Soundings: Innovations in, and reflections on, Music Theatre Rose Bruford College, London. May 2003
'Oh no it isn't: Audience participation and community identity' Signs, Texts, Cultures: Conviviality from a Semiotic point of view Conference in Vienna November 2003.
'"Evil" as a Musical Theatrical Convention'. Signs, Music, Society Institute of Socio-Semiotic Research Vienna, March 1999.
'Singing and Dancing Ourselves: The politics of the ensemble in A Chorus Line' Mediating Performance IFTR Annual Conference, Santiago Chile 22 – 28 July 2012
'Reviewing the Situation : Exploring the Roots/Routes of British Musical Theatre Through the Work of Lionel Bart' Re-Routing Performance IFTR Annual Conference, Barcelona Spain, 22-26 July 2013
Song, Stage and Screen V: Interdisciplinary Approaches to 'Voice' in Music, Theatre and Film 3rd- 5th September 2010.