The Imperial Aesthetic: Photography, Samuel Bourne and the Indian Peoples in the post-Mutiny era (Forthcoming).
Fighting Back: A History of Anti-colonialism (book in preparation in collaboration with Yale University Press).
The British Abroad since the Eighteenth Century, Volume 1, Travellers and Tourists (Basingstoke: Palgrave Macmillan, 2013); co-edited with Martin Farr.
The British Abroad since the Eighteenth Century, Volume 2, Experiencing Imperialism (Basingstoke: Palgrave Macmillan, 2013); co-edited with Martin Farr.
An Entangled History, France and the Maghreb: A Sourcebook (in preparation with a book proposal to Bloomsbury).
Chapters and Articles
''Souvenirs d’Algérie: Photography as Political and Cultural Lieux, 1850-1910', in Charles Forsdick et al. (eds), Postcolonial Realms of Memory (Liverpool: Liverpool University Press, forthcoming).
‘From Princely to Barbaric: Indian Masculinities as Colonial Landscape in Bourne and Bourne & Shepherd’s Photographs’, in Marcus Banks and Annamaria Motrescu-Mayes (eds), Visual Histories of India (Delhi: Primus Books of Ratna Sagar, 2017).
'Frantz Fanon's The Wretched of the Earth, Embodying the Aanti-colonial Aaction', in Rachel Hammersley (ed.), Revolutionary Thought Moments, in J. C. Davis and John Morrow (general editors) Textual Moments in the History of Political Thought (London: Bloomsbury Publishing PLC, 2015), 167-174.
'Transmissible Sites: Monuments, Memorials memorials and their visibility on the metropole and periphery', in Frank Müller and Dominik Geppert (eds), Sites of Imperial Memory: Commemorating colonial rule in the nineteenth and twentieth centuries Dominion in the 19th and 20th Centuries (Manchester: Manchester University Press, 2015), 21-38.
'Against "the Usual Restraints Imposed upon their Sex": Conflictive Gender Representations in Nineteenth-Century Orients', in Martin Farr and Xavier Guégan (eds), The British Abroad since the Eighteenth Century, Volume 2, Experiencing Imperialism (Basingstoke: Palgrave Macmillan, 2013), 93-115.
'Visualising racial alienation: Duality and symbols in Bourne's India', Visual Culture of British India, in Visual Culture in Britain, Special issue, 12:3, (Nov. 2011), 349-365.
'Less Smoke and Noise', Journal of the Royal Photographic Society, 150:1, (Feb. 2010), 38-41.