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Biography

  • Proactive researcher focused on the Musicology of Record Production and phenomenology of Music Production and Technology
  • Experienced Recording and Mix Engineer
  • Practical experience in leadership, development, and the review and validation of Higher Education programmes of study including: BA (hons) Music Production and Performance; FdA Music Production; and, BA (hons) Professional Music Performance and Production
  • Keen interest in the use of Music Technology to encourage inclusion in diverse settings

Publications

'Production Perspectives of a Heavy Metal Producer', Thomas, N., & A. King (2018) under peer review

‘Technical Ecstasy: Technology and Heavy Metal Record Production’, Thomas, N. (2019) in progress

 

CONFERENCE PAPERS

‘How has the development of music technology influenced the recorded aesthetics of Heavy Metal music?’, presented at the Association for the Art of Record Production Conference, Oslo, December 2014

‘How has technology influenced the aesthetics of Heavy Metal music?’, presented at the Sonic Signatures Symposium, Aalborg, April 2014

 ‘Heavy Metal and Technology’, presented at the University of Hull Music Research Symposium, Hull, June, 2013

 

REVIEWS

Review of The Art of Record Production, Frith, S., and S. Zagorski-Thomas (2012). Reviewed in: The Journal of Music, Technology and Education, 6/1, 131-136

Review of The Art of Music Production, Burgess, R. (2013). Reviewed in: The Journal of Music, Technology and Education, 7/2, 245-255

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