Dr Christina Welch is Senior Fellow in Theology and Religious Studies. She gained her first class BA (Hons) in Religious Studies with Psychology at King Alfreds College in 2000, and her MA (with distinction) in the Archaeology of Art & Representation from the University of Southampton in 2001. In 2005 she gained her AHRB-funded doctorate from the University of Southampton. Titled The Role of Popular Visual Representation in the Construction of North American Indian and Western Alternative Spiritual Identities, it combined her interests in religion and visual representation. Christina started university as a mature student having previously had a career in the financial services sector. She did much of her study as a single parent, and is dyslexic.
Dr Welch plays a leading role in the Medieval Jewish Winchester project, an interdisciplinary project in which academics from across the Faculty of Humanities and Social Sciences are working closely with Winchester City Council to rediscover Winchester's forgotten Jewish history and heritage, and to make it accessible to the general public.
A leading authority on late medieval carved cadavers, she recently developeda dedicatedwebsiteexploring those found in England, Wales and Scotland dating from c. 1425 to 1558, as well ascarved cadavers found in Ireland.Find out more aboutlate medieval carved cadavers.
Higher Education Teaching Qualification: Higher Education AcademySenior Fellowship (SFHEA).
- In press:From Villainous Letch and Sinful Outcast to especially beloved of God; Complicating the Medieval Leper through Gender and Social Status, with Brown, R.Historical Reflections/Reflexions Historique.
- Welch, C.(2016)Late medieval carved cadaver memorials in England and Wales. In Classen A, (ed.), Death in the Middle Ages and Early Modern Times: The Material and Spiritual Conditions of the Culture of Death (Fundamentals of Medieval and Early Modern Culture). Walter de Gruyer.
- Welch, C.(2016) Marketing Death through Erotic Art. In, Dobscha, S, (ed.).Death in a Consumer Culture. London: Routledge: 43-56.
- Welch, C.(2015) with R. Luyt and R. Lobban Diversity in Gender and Visual Representation: an introductionJournal of Gender Studies24(4): 383-385.
- Welch, C.(2015) Death and the Erotic Woman: the European Gendering of Mortality in time of Religious Change.Journal of Gender Studies24(4): 399-418
- Welch, Christina(2014)Coffin Calendar Girls: A New Take on an Old Trope.Writing From Below,2 (1). pp. 1-29.
- Welch, C.(2014) Religion and Culture: Religious Artifacts as T-shirts, Toys and Museum Exhibits'. In Hedges P, (ed).Controversies in Contemporary Religion: Volume 2: Debates in the Public Square and Ethical Issues. Oxford: Praeger: 177-212.
- Welch, C.(2014) with P. Hedges. Charisma, Scriptures, Revelation, and Texts: Sources of Religious Authority, In Hedges P, (ed).Controversies in Contemporary Religion: Volume 1: Theoretical and Academic Debates. Oxford: Praeger: 57-80.
- Welch, C.(2014) Religion and Culture: Religious Artifacts as T-shirts, Toys and Museum Exhibits'. In Hedges P, (ed).Controversies in Contemporary Religion: Volume 2: Debates in the Public Square and Ethical Issues. Oxford: Praeger: 177-212
- Welch, C.(2014) with Dr P Hedges. Charisma, Scriptures, Revelation, and Texts: Sources of Religious Authority, In Hedges P, (ed).Controversies in Contemporary Religion: Volume 1: Theoretical and Academic Debates. Oxford: Praeger: 57-80.
- Welch, C. (2013) Editorial: Death in the Field: utilizing fieldwork to explore the historical interpreting of death related activity, and the emotional coping with deathFieldwork in Religion8(2): 127-132.
- Welch, C. (2013) For Prayers and Pedagogy: Contextualising English Carved Cadaver Monuments of the Late-Medieval Social and Religious Elite.Fieldwork in Religion8(2):133-155.
- Welch, C. (2012) Teepees & Totem Poles: imaginings of North American Indians in European popular culture for children. In D. Stirrup & J. MacKay (Eds),Tribal Fantasies; Native Americans in the European Imaginary, 1900 - 2010. New York: Palgrave: 101-116.
- Welch, C. (2011) Savagery on Show: The Popular Visual Representation of Native American peoples and their Lifeways at the Worlds Fairs (1851-1904) and in Buffalo Bills Wild West (1884-1904).Journal of Early Popular Visual Culture, 9(4): 331-345.
- Welch, C. (2010). The Spirituality of, and at, Greenham Common Peace Camp.Feminist Theology, 18(2): 230-248.
- Welch, C. (2007) Complicating Spiritual Appropriation: North American Indian Agency in Western Alternative Spiritual Practice.Journal of New Age & Alternative Spiritualities3: 97-117.
- Welch, C. (2005) Representations of North American Indian Spirituality in the World of Western Children in, Ota, C. & Erricker, C (eds)Spiritual Education: Literary, Empirical & Pedagogical Approaches, Brighton: Sussex Academic Press: 40-58.
- Welch, C. (2004) Appropriating the Didjeridu and the Sweat Lodge: New Age Baddies and Indigenous Victims? in, Lewis, J. (ed.)The Encyclopaedic Source Book of the New Age, New York: Prometheus Press: 349-375.
- Welch, C. (2002) Appropriating the Didjeridu and the Sweat Lodge: New Age Baddies and Indigenous Victims?Journal of Contemporary Religion17(1): 21-38.
Selected recent conference presentations
- Contextualising the fashion for carved cadaver memorials in late medieval England. Skeletons,Stories and Social Bodies Conference, 24 - 26 March 2017, University of Southampton.
- 2016: Contextualising English Late-Medieval Carved Cadavers; depicting the pains of purgatory in anatomical art. Othello's Island: International Conference of Medieval and Renaissance Studies, Centre for Visual Art and Research, Cyprus
2015 (Keynote Addresses):
- Anatomy, Religion and English late-Medieval Carved cadaver Sculptures. Morbid Anatomy Seminar Series, Morbid Anatomy Museum, Brooklyn, USA
- Medieval Jewish Winchester - why remembering this lost community is important to the city, and its contemporary Jewish population. ISGAP Oxford Summer Institute for Curriculum Development in Critical Antisemitism Studies, University of Oxford, Herford College
- Beyond Memento Mori: the theology, and anatomy of late-medieval English carved cadaver monuments. Cambridge Medieval Art Seminar Series; body/surface/agency, University of Cambridge
- Convener of the 2017Death and the Maiden conference
- Convener of the 2016Death, Art and Anatomy conference
- Co-convener for the 2012 Reconciliation, Religion and Social Change Conference
- Convener forthe 2010, 2011 and 2012 International Death Day conferences
Other recent presentations
- 2017: Death, Sin and Purgatory in Late-Medieval England. Winchester Cathedral Education Lecture Series, Winchester Cathedral.
- 2016: How the Dead Help the Living Live. Hopes and Fear Public Engagement event, Pitt Rivers Museum, Oxford
- 2016: English Late Medieval Carved Cadaver Sculptures. 10 days Nights evening talk, Discovery Centre, Winchester
Performances, Exhibitions and Installations
- Jan Mar 2011:Bought and Sold: Southamptons Links with the Slave Trade, Tudor House Museum, Southampton